Showing posts with label Avant Garde. Show all posts
Showing posts with label Avant Garde. Show all posts

Tuesday, November 30, 2010

The Symbolick Jews "God Is You My Brothers, My Sisters"



OK, so The Symbolick Jews have never been a particularly polished band. Their music crashes around recklessly, bumping into and knocking over your grandmother's precious music genres like an autistic 5 year old whose twisted uncle thought it would be fun to slip booze to at Thanksgiving. But it's that very same recklessness that makes The Symbolick Jews an absolute blast to listen to. Perhaps it's because they've never had the same lineup on two albums. Perhaps it's because they never take themselves terribly seriously, and it usually shows...but once in a while they'll write a song like "Book of Love" (from their debut Confession Time) that is so heart-wrenchingly genuine, you can't help but sit straight up and wonder "Wait, what band is this again?"

Just recently the Symbolick Jews embarked on their third North American tour, heading South through California, East into Arizona and eventually wrapping things up in Texas. In typical Symbolick fashion, they also quietly released their third LP (2nd this year), entitled God Is You My Brothers, My Sisters. However, the music here is anything but quiet. It's ballsy, it's sweaty,
it's completely rambunctious. The songs that aren't are brooding, hypnotic slow-burners that steadily build in intensity until everything collapses under the pressure. Actually, most of the songs end like that.

It's at this point that I am haunted by the fact that I never wrote about their 2nd album, Can I Trust You. I'd like to make all sorts of comparisons...like how God Is You strips away the vocoders and many of the electronic trappings that made their previous LP so weird and unique, instead returning the band to their raw rock roots (say that 10 times fast). But I can't (to either). All I can do is recommend you check out Can I Trust You, encourage you to make your own comparisons, and beg your forgiveness for my oversight.

God Is You begins with a bang, as lazily crashing waves of guitar provide context for a wailing singer who is "so f*#&king tired". This is no hazy, bleary-eyed dirge, a la The Beatles' "I'm So Tired", but rather the sound of a band waking up, making coffee, plugging in and preparing to rock. The Jews then proceed to launch into a Dadaist/Krautrock workout in the hypnotic "He Got a Job" (which spurned the band's very first music video, in which everyone pees on each other).

The Symbolick Jews are the paranoid, babbling voices in your head...and this time there are more voices than ever. Frontman Adam Healton shares vocal duties with at least 5 others, which seems to take a bit of pressure off of him, and because of this the whole band sounds like it's having a lot more fun. In fact, this is their first album that really seems like a true communal effort.

Other noteworthy tracks include "I'm Lucky", which is a fuzzy, blissed out guitar-driven song about being grateful to wake up next to that special someone, and "I Got To You", which quite possibly is the band's catchiest song to date, with "lead" singer Adam's unique voice blending wonderfully with one of three female singers scattered on this LP. If you're more into the avant-garde, Symbolick Jews have got you covered with the brief, unclassifiable freakouts "Sly's Salad Bar", "A Rare Hope", and in typically-lengthy album closer fashion, the crazy 14 minute epic "Peace Be With You".

God Is You
certainly rewards repeated listenings, as drummer/producer Brian Davy has seen to it that each track is a dense forest of sound, populated with subtle electronics mixed just low enough so as to make listening with headphones a real treat. My hat goes off to Adam, Brian and the rest of the Symbolick Jews...whoever they are this time around. They've crafted a loose-yet-focused masterpiece that few other bands could convincingly pull off. The Symbolick Jews are a wild beast with a heart of gold, and here's hoping they'll never be tamed. -Matt

Tuesday, July 27, 2010

Prism Riot "Prism Riot"


Download Prism Riot

Oh wow...I'm lost in a digital jungle full of lurking neon animals and OH SHIT HERE COMES A FUCKING CYBER-WOLF-MONSTER TO RIP MY EARS WIDE OPEN but it's OK...because now I'm floating peacefully in a frosted glass orb through space with my trusty and totally sexy supermodel girlfriend WHEN SUDDENLY A GIANT MUTANT DRAGONFLY APPEARS AND BEGINS TO RAPE MY BRAIN WITH A SWORD COVERED IN POISONOUS SPIDERS...

Perhaps I should explain...Prism Riot is one of the most surprising albums I've heard in a long time. This is one of those rarities that presents the listener with genuine sonic surprises at every turn, and leaves you (at least me) absolutely befuddled as to HOW the hell these two guys managed to produce some of these downright outlandish sounds.

Prism Riot is, from what I gather, a collaborative recording project between Sacramento guitarist/keyboardist/sonic wizard Nick Stanifer (Order of the Golden Mirror) and Michigan drummer/demolitionist Travis Siegfried (Forest Feeling). I'm not sure if these guys have ever played a live show together...and while I would normally argue that they SHOULD, I also have to wonder how the hell they'd pull it off. Honestly, you could take this as a sort of backhanded compliment to the complex sonic structures of these eleven pieces.

When recommending this band to others, allusions to Hella, another well known Sac band, are at times obvious/unavoidable, especially due to Siegfried's hyper-bombastic drumming style. But you know what? I like Siegfried's playing better. In fact, I like Prism Riot's debut a lot more than anything I've heard from previously-mentioned-band.

I know I've avoided talking about any "songs" in particular...but this 28-minute long (short?) LP is best experienced in one sitting. Do yourself a favor and download it. Albums this good aren't often free. -Matt

Listen to "Pirate Utopias"